Senior Rediff.com Contributor Aseem Chhabra is director of the New York Indian Film Festival, an entertainment writer and author of Irrfan Khan: The Man, The Dreamer, The Star. You can e-mail the author at aseem.chhabra@gmail.com
'It is a very uncomfortable film to watch, and that is what makes it so good. A good film should be able to get into our skin, challenge us, shake us up and Talvar does all of that.' Aseem Chhabra reviews Meghna Gulzar's film on the Aarushi murder case, the first of our reviews on arguably the most controversial movie of the year.
'She is a genuine, real, person who wants to be with girls who are suffering the way she suffered.'
'I sat down and asked them what they would want in their new school. One student said a football field, another one asked for computers. One little girl came and sat next to me and said, "A separate toilet for the girls." I think these small things make a huge difference in the future of education in India,' Nita Ambani tells Aseem Chhabra/Rediff.com
'If you look at peacekeeping right now, it is fraught with accusations of sexual abuse or peacekeepers involved in deals that are outside their purview, human trafficking.' 'When a contingent of women walk through a camp, the women in the camp and the children respond to them, talk to them. Women are more open to talking about sexual violence and domestic violence to other women.'
The vote was tied 7-7 until... Aseem Chhabra/Rediff.com reveals how Court was chosen as India's nominee for the Academy Awards.
'Outsiders are the ones who have to make the biggest journey to realise themselves, to come back to some sense of normality.' Director Jacques Audiard and actor Jesuthasan Antonythasan discuss the human landscape behind the award-winning film, Dheepan, with Aseem Chhabra/Rediff.com
'We went around with the story, but no one came forward to finance it. They would say 'Who would want to watch this?' Or they would say 'Ek to ladka dal do is me.' We said no, we didn't want to compromise.'
'The city was never the same after the attack. It was scarred,' says Nicolas Saada whose movie Taj Mahal offers a unique view of the Mumbai attacks.
In Danny Boyle's biopic, reports Aseem Chhabra from the Telluride Film Festival, 'we are left with Jobs -- the man, a genius as well as (what Steve Wozniak calls him in the film), an asshole!'
'A friend said there was a new phenomenon occurring during every screening. Audience members were mouthing the dialogues with the characters on screen.' 'It was a truly amazing experience. It was impossible to hear what was being said on the screen. There was so much noise, laughter and celebration in the theatre. And the film was not even a month old.' Aseem Chhabra remembers seeing Sholay twice in the couple of weeks after it opened.
'There are too many things that haven't gone out of you. So even though the years may have gone by, you are still close to the films in terms of the making.'
'He was a magnificent looking man -- perhaps the best looking international actor of the 60s, 70s, 80s, 90s, even in the current century. And quite definitely the first actor from Asia to make it big in the West,' says Aseem Chhabra.
'It was impossible to please everyone with Amy Winehouse's story because it is complicated and dark. Everyone has his or her own version of what was going on and I found myself caught in the middle of it.'
Bengali film Asha Jaoar Majhe is a must watch, a once in the lifetime kind of work that should be supported by film lovers and experienced on the big screen, writes Aseem Chhabra.
When Jaws released in June 1975, it changed the way Americans watch movies, says Aseem Chhabra.
'Prashant has left us and it is really tragic. But I want to hold on to those little moments of happiness that he shared with me and with others whose lives he touched. That is how I want to remember him.' Aseem Chhabra pays tribute to Patang director Prashant Bhargava, who passed away on May 16. He was only 42.
Bombay Velvet spends too much time on period details and loses focus, notes Aseem Chhabra.
'I kept telling Anurag, "I don't care about anything, I don't want any money. Just get the film made".' 'One day I called Anurag and someone else picked up the phone. He said, "Hello, Sir." I responded, "Hello, but who are you and why are you picking up Anurag's phone?" He said, "I am Ranbir Kapoor Sir". And he told me he was doing the film and he was very excited.'
'Richard Corliss started loving Bollywood late in his career, but he gave everything he had in his power as a critic to promote India's Hindi cinema.'
The journey of the digitally restored version of The Apu Trilogy is packed with dark stories and years of near detective work by those determined to preserve some of Satyajit Ray's finest works.
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